PAPERS

Greenaway was known to be an art lover. This book illustrates how, between two films, Greenaway exercises his imagination with pencils, gum, gouache or acrylics. This art book brings together for the first time a key selection of his works, of interest in themselves but also often bearing witness to the process of creation of a film.
Peter Greenaway (born, 1942 in Newport, Wales, lives and works in Amsterdam) trained as a painter for four years, and started making his own films in 1966. He has continued to make cinema in a great variety of ways, which has also informed his curatorial work and the making of exhibitions and installations in Europe from the Palazzo Fortuny in Venice and the Joan Miro Gallery in Barcelona to the Boijmans van Beuningen Gallery in Rotterdam and the Louvre in Paris. He has made 12 feature films and some 50 short-films and documentaries, been regularly nominated for the Film Festival Competitions of Cannes, Venice and Berlin, published books, written opera librettos, and collaborated with composers Michael Nyman, Glen Branca, Wim Mertens, Jean-Baptiste Barriere, Philip Glass, Louis Andriessen, Borut Krzisnik and David Lang. His first narrative feature film, The Draughtsman’s Contract, completed in 1982, received great critical acclaim and established him internationally as an original film maker, a reputation consolidated by the films,  The Cook, the Thief, his Wife & her Lover, The Pillow Book, and The Tulse Luper Suitcases.

Additional information

Size

8.25 X 10

Illustrations

115 colors

ISBN

9782906571204

Pages

128

Binding

Hardcover

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